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The Perennially Under-Construction Home Page 

of
Lynn Maudlin

Welcome

 

Lynn Maudlin, singer-songwriter, painter, producer, editor, and author was born in Los Angeles back in the last century and studied piano at the USC School of Preparatory Music as a child. She began writing songs at the tender age of 12; if you ply her with fine red wine, she may play you some of those questionable early efforts, but probably not (we all have our pride, after all). An art major through high school and college, favorite areas of expression include oil paints, ceramics, intaglio, silk painting, and pen & ink; water color remains a distant dream. Lynn has been performing as a singer/songwriter for approaching 40 years ("hey, I started at 13, okay?!") in venues as varied as colleges and conferences, nightclubs and coffee houses, science fiction conventions and concert halls in England, Germany, and the U.S.A.

After years with an ISP comp'd home page, here we are at LynnMaudlin.com ("because I am *such* a commercial enterprise! Buy something!") for a variety of reasons and YES, some of those reasons *are* commercial - I have a house payment to make, after all.


 Lynn's first album project is still available on cassette (Dolby B, "At Long Last Lynn," a collection of ten original songs, including the oft-requested "If You Can't Live Without Me, Then Why Aren't You Dead?") and will shortly be re-mastered for (do not faint!) CD. 

The St. Jude's worship team put together a semi-spontaneous collection of songs in support of a friend's out-of-the-country wedding, including Lynn's "Shepherd Me," a worshipful personal take on the much-beloved 23rd Psalm.

In the last few years, in addition to worship music, performances have mostly taken place at conferences and conventions. Loscon, the Los Angeles area annual science fiction convention and occasionally Westercon utilize Lynn for both panels and concerts; ConDor, a fun and friendly San Diego science fiction convention, has made a bunch of die-hard fans very happy by giving Lynn a 45 minute solo slot during their concert evening, usually a Friday night - really fun and great place to introduce new material, for example, I Gotta Kill My Clone and High Frontier (written in response to the Columbia space shuttle tragedy). Visit their respective websites for general information about the conventions, other guests and special events.

 

Lynn has a grown son (highly recommended) from a high-school marriage (not recommended) who married in 1997 and has kindly made a grandmother of her (shocking and WONDERFUL!) and inadvertently gave up 17 years in a second marriage to an L.A. studio musician (also not recommended - who knew?!) to find herself with an unexpected new life at a time her contemporaries have finally settled down to raise their late-born kids. In 1996 Lynn produced an extremely low-budget movie called The Magazine with writer/director Sallie Seltzer and worked with writer/director Martha Cotton on her AFI - DWW (American Film Institute's Directors Workshop for Women) short in the summer of 1997, followed by a teaser for a television series.

The rock doesn't roll in Lynn's life is Jesus (when everything else comes crashing down around your ears, you gotta hope the foundation's sound). "It's great to finally be at a place where I can agree with the psalm: I was glad when they said unto me, 'Let us go unto the house of the Lord.'" Since 1994 that house has been St. Jude's, a charismatic Episcopal church, and now happily home of priest Fr. Chuck Mitchell and Seiko, his beautiful and wise wife (Proverbs 31 written all over this woman!). Lynn is richly blessed to sing and play guitar or keyboard with the worship teams; great harmonies! She has also discovered and is developing a gift for prophetic intercession and delighted to have weekly opportunity to exercise that talent and watch, lost in wonder and awe, as God knits a small group of very different humans together through His Holy Spirit. Amazing stuff!

 

Sizzling Egrets

Lynn has been involved with The Mythopoeic Society since 1982, served nearly 10 years on the non-profit organization's board of directors and, after a break of about 12 years, is once again serving on the Council of Stewards. One of the joys of the MythSoc, as it is fondly called, is its annual conference and the joy of a Mythcon is the chance to play with far-flung friends. A not-too-far-flung friend is Eleanor Farrell and the two, in a Mutt & Jeff pairing (large blonde and petite brunette) started a spoof of Siskel & Ebert's film reviews (anybody remember Gene Siskel?!) for the 1992 Tolkien Centenary Conference (sponsored by The Tolkien Society and Mythcon 23) "ents" held at Keble College, Oxford. Lynn "Egrets" Maudlin and Ellie "Sizzling" Farrell reviewed the three (mythical) film productions of Tolkien's The Lord of the Rings allegedly released in the previous year, directed by Woody Allen (!), Oliver Stone, and Ingmar Bergman. The Bergman version used CGI to cast Gerard Depardieu as Frodo and Arnold Schwarzenegger as Sam; Sizzling Egrets presented a "clip"... Ellie lay motionless (except for the occasional spasmodic heaving of her rib cage as she stifled laughter), playing Frodo after Shelob's attack, while Lynn performed Ahnold-as-Sam's "I'll be back" scene - check the novel - the dialogue is appallingly appropriate! Despite the international attendance (Finland, France, Russia, Italy, Australia, Norway and more were represented), the audience roared with appreciation.

It was amazing to see how Peter Jackson's frustrating and wonderful visual interpretation of The Lord of the Rings utilized CGI in a more major way than we'd joked about, less than a decade earlier.

Sizzling Egrets wrote a "con report" for Mythprint, the monthly newsletter of the Mythopoeic Society, and reprised the 1992 performance for Mythcon 24 in Minneapolis. Sizzling Egrets came up with a new bit for 1995's Mythcon 26 in Berkeley. SF author Tim Powers was the GoH and the dissing duo reviewed non-existent movies made from The Stress of Her Regard and Dinner at Deviant's Palace with the ever-popular "film clip" from Last Call. Sizzling Egrets appeared at the C.S. Lewis Centenary in July of 1998 at Wheaton College in Illinois. You had to be there. Skewered were The Screwtape Letters: The Movie (purportedly edited together from outtakes of "The Devil's Advocate" with voice-over by John Cleese...), The Wreck of the Dawn Treader (imagine "Titanic" meets Reepicheep - oh, the humanity!), and the now infamous "film clip" from Ed Wood's long lost last film, discovered and finished by Tim Burton for release in glorious black and white: Malacandra Attacks!, complete with descending spaceships made of paper plates and wind-up animals... Definitely you had to be there (or get Arden to show you his videotape; of course, it shudders real good when the spaceship appears because he still hasn't learned how to laugh and shoot at the same time...). Lynn was the treasurer and registrar, which kept her extraordinarily busy. (C.S. Lewis pen&ink drawing copyright by Patrick Wynne; used with his kind permission).

 

Then there's the Mythcon food sculptures... 

 

 

Another joy in Lynn's life is her extended family and a few visits back she was interviewed by her then eleven-year-old nephew, Tyler Reitz. She keeps it on the website for the ongoing joy of embarrassing a handsome young man!

Tyler Times

Lynn Maudlin is a very widely traveled lady. She has been to many different places like England, France, Italy, Spain, Germany, Israel, Australia, and many other countries. When she travels she is mostly a tourist, but she also visits friends and attends meetings. Her next trip is in November and she is going to England again because she has lots of friends in England. In England she also likes to visit old castles and gardens. The favorite place that she has been to visit is Jerusalem. She loves Jerusalem because that is where Jesus walked the earth.

Interview by Tyler Reitz, 10/8/97

 

To contact Lynn Maudlin by e-mail: lynn AT lynnmaudlin DOT com

Artwork by Pat Wynne, used by permission

Last modified: April 2008